The book brings together photographs from an on-going private library of images which feeds into Boyce’s work. The images adopt a sombre and darkened palette, as if the light has been stolen from each photograph creating the illusion of a mythical perma-dusk allowing us to see the world as Boyce sees it. Images of trees and foliage permeate the collection, ellipses and perforations reoccur, patterns of cracks, fractures and spider webs repeat and thresholds appear in the form of windows and doorways.
Hundreds of photographs were edited down until the shape of a book emerged. The series creates the feeling of stillness and distance between the viewer and photograph. Printed on double sided paper, the photographs reflect blurrily in the coated page opposite it’s matte brother. The book as an object extends the experience of distance through its design, keeping the darkened images enclosed and projected between the folds of paper.
Hamilton-born Boyce studied at both Glasgow School of Art and California Institute for the Arts, Los Angeles. His work has been exhibited widely across the world including solo exhibitions at Museum für Moderne Kunst (Frankfurt, 2002); Tate Britain (London, 2006); the Centre Contemporain (Geneva, 2007) and The Modern Institute (London 2011).