KOAN KOAN KOAN KOAN KOAN KOAN KOAN

Xiaoyi Chen

KOAN

Jiazazhi Press, Ningbo, China — 2017
SFr. 50.00
Pages: Leporello with a poster
Edition: 500 - SIGNED COPIES!
Dimensions: 26 x 9 cm
Language: English, Chinese
ISBN: 9789881457530

Koan is the possibility to open up the territory of pre-verbal. Only vision as a product of the non-material is closer to a concept of purity, so through photography as my own philosophical approach, I try to explore beneath the surface of things by simplification and abstraction to awaken spiritual awareness and intuition before the symbolic.

As Eastern philosophies, Tao and Zen always advise peopleto stay absolutely quiet and purify thought processes. In order to achieve this goal, our attention should focus on the most basic form of the universe’s existence. In Zen Buddhism, Koan is a story or riddle used to help in the attainment of a state of spontaneous reflection, free from planning and analytical thought. In contradiction to Western philosophy, Koan’s emphasize the inadequacy of language and words, and the importance of intuition over reason and logic, to transform the self.

I named the series as “Koan”, and selected abstract landscape photographs to do photo-etching process; the results of this craft are poetic and full of imaginations. Also only uses black ink and print on different Japanese papers, the color is deriving from the atmosphere of desolation and melancholy and the expression of minimalism in ancient Chinese poetry and monochromatic.

Xiaoyi Chen was born in Sichuan, China in 1992, she received an MA Photography from London College of Communication in 2014, currently lives and works in Chengdu. Chen’s practice is tied to a natural, oriental aesthetic, in uenced by Western abstract art and oriental philosophy. Her recent work focuses on the combination of photography and printmaking, a combination of techniques used to explore beneath the surface of things by simplifying and abstracting; an approach aimed at reviving spiritual awareness and intuition before entering the symbolic nature of what we view. Xiaoyi Chen has exhibited internationally; she was awarded the Three Shadows Photography Award in 2015, China’s most prestigious photography prize, and named one of Asia’s 30 Artist under 30 by Forbes magazine 2017. Her recent awards and exhibitions include the participation in the Format International Photography Festival, Kassel Photobook Festival, Athens Photo Festival (Benaki Museum) and the group show China 8 at Museum Folkwang (Essen, Germany). Recent Art Fairs, include Photo Shanghai and Paris Asian Art Fair in 2016, solo project in London Art Fair 2017.

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