Fleeting Under Light invokes the relationship of crossing borders and the transformational process that goes beyond one’s identity, involving new understandings of family and homelands. Guerra’s material approach to photography utilizes anthotypes made from corn, beet, and cabbage to depict ephemeral images within the Latine diaspora. Her work focuses on the complex duality that forms in the identities of Latine immigrants living in New York City, exploring notions of family archives, home, and a sense of belonging.