Lindsey Adams’ visual images are photographic, but are made with a painter’s eye; they have been taken looking through the water surface of a small Derbyshire brook and are concerned with notions of an underworld.
These visuals have provided poet and writer Michelene Wandor with the inspiration for ‘Ophelia: the poem’, which responds to carefully pre-selected sequences of images.
Introductory essay by Rebecca Fortnum.