Sonechko, Yak Ty? unfolds as a visual diary in which Varvara Uhlik reworks memories of her childhood in Ukraine to question the present. Through an intimate gaze and a delicate use of light, the artist reflects on identity, memory, and trauma, addressing the legacy of the Soviet past in the construction of the self. The images weave together personal and collective dimensions: everyday gestures, family rituals, and domestic spaces become charged with historical and cultural meaning, forming fragments of a shared memory. What emerges is an affective counter-archive, in which photography becomes an emotional gesture, a document of everyday life, and a form of quiet resistance — restoring memory as a living, transformative matter.