‘Piotrowska refuses to comply with the dominant notion of photography as based exclusively in the realm of the real. Instead, by pricking our minds, her photographs become subtle provocations of what we consider our reality.‘ GUP
‘Piotrowska’s photographs draw on the tension prevailing between the contemporary and the unrelenting nature of art‘ Camera Austria
‘Piotrowska goes beyond any familiar observation about our changeable natures, to describe the essentially reactive nature of identity.‘ Paper Journal
‘Piotrowska’s images echo the same pervasive need to control and construct that I have found myself responding to our unique, contemporary chaos with … cohesive, thought-provoking, and absolutely beautiful.‘ Photo-eye
The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. Piotrowska appropriates the formulaic step-by-step approach of the manuals but instead of showing two people in contact, she photographs the (re-) actions of one woman in conflict with an unknown, absent subject. While Gilligan argues in her book that teenage girls risk losing their voice in patriarchal societies, Piotrowska seeks to re-present their agency in corporeal form, and indicates – through the invisible opponent – the underlying pressures they have to confront. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. Sculptural in form, these temporary refuges nod to the children’s game of making houses at home, as if domestic space would not provide enough protection. The constructions also reference the makeshift ‘homes’ of homeless people. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
The book includes essays from Sara De Chiara, Joanna Bednarek and Dorota Masłowska.